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Originally Posted by Estelyn Telcontar
Morthoron and cohorts, it's a shame the Entish Bow/Merisu parody has stalled - sounds like you'd all be great contributors! I was going to keep writing it all alone, if necessary, but alas, other priorities have kept me from imaginative writing at this time. Still, I wonder if there would be some way to incorporate your ideas in the stranded adventures of the Guy/Galship... 
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*The Dark Elf bows*
I've read the Entish Bow, and feel it would be impertinent to take up where others have left off in this case. It is, after all, not our story, and I feel it would stifle the creative process to maintain a stilted adherence to someone else's plot-line. However, if you'd like, you are more than welcome to join in the formulation of the present tale, and add your character from the previous story; thus, one of the old guard joins with the new.
Estelyn, one question: where is the best place to put this story? I believe that all those who have agreed to collaborate are veteran rp'ers (whether on these forums or elsewhere), so which segment of the forums (or fora) would this best fit?
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Originally Posted by Mithalwen
If you don't think I would be handicapped by never having slogged through much of Joyce other than Portrait of the Artist as a Pretentious Git then Fingolfin's Wake gets my vote. I have an "Easter rebellion" surname and a tendency to stream of consciousness (some call it rambling) I'll save Brideshead for another thread. I can't help thinking the Bloom link is a sign....
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Actually, I was only joking about making a parody of Middle-earth that mimics Joyce (I would liken it to eating ice cream too fast and getting a brain freeze). But what would be humorous is to synthesize several different author's styles within the framework of the story. It often seems that seriously banal roleplay (and I mean serious regarding someone who is actually trying to be literate) has an another author's influence directly imposed on the fan-fic. In that regard, we are intending to write dreadful prose, or rather, what seems at a glance to be dreadful, but is deviously plotted to be, in actuality, something altogether different from its intended purpose. Satire (like fantasy) is only great when there is a suspension of disbelief, and the reader is lulled into enjoying the story for its own sake (which is why most bald farces fail).