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Originally Posted by Nerwen
This is very common and it means your equipment is not grounded properly.
You can try using different connections. However, most sound-editing programs have filters for getting rid of it.
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You're quite right Nerwen. But I'm afraid the basic problem we have faced
this far is the hum that comes from the computer (computer's cooling system that is). If you listen to my two versions you can hear the difference as my Gimli is recorded with the mic on the table right beside the computer (and there's clearly audible humming in the background) while my Bilbo is pretty clean of any background hum because it was recorded about two meters away from the PC.
Filters are handy when the noise one wants to cut out is on different wavelengths than the stuff one wants to record (like the scratches from old LP-records or the hissing of old C-cassetes). But the humming of a computer is quite low and cutting those frequencies out will also cut those frequencies from the human voice leading up to this "tin-can" effect Oddwen speaks of as you now miss those important lower frequencies that add to the richness or fullness of the human voice.
Sure. The quality of the microphone makes a difference but unless the mic is really bad its main effect is just lower quality of tone. Better microphones produce clearer, richer, wider and sharper sound - not exactly the slang one should use I presume but those words describe the difference to me at least.
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Originally Posted by Zali
I won't have access to recording equipment until mid-May, more than a month away, but if that's not too late, I'll send some stuff in then.
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I'd say don't worry. This kind of project will take time even if we decide on just one chapter... as I think we should first concentrate.