View Single Post
Old 07-11-2007, 08:20 AM   #32
Thenamir
Spectre of Capitalism
 
Thenamir's Avatar
 
Join Date: May 2001
Location: Battling evil bureaucrats at Zeta Aquilae
Posts: 987
Thenamir has reached the Cracks of Doom and destroyed the Ring!Thenamir has reached the Cracks of Doom and destroyed the Ring!Thenamir has reached the Cracks of Doom and destroyed the Ring!Thenamir has reached the Cracks of Doom and destroyed the Ring!Thenamir has reached the Cracks of Doom and destroyed the Ring!Thenamir has reached the Cracks of Doom and destroyed the Ring!Thenamir has reached the Cracks of Doom and destroyed the Ring!Thenamir has reached the Cracks of Doom and destroyed the Ring!Thenamir has reached the Cracks of Doom and destroyed the Ring!Thenamir has reached the Cracks of Doom and destroyed the Ring!Thenamir has reached the Cracks of Doom and destroyed the Ring!
Before we glibly throw out the bathwater, let us make a cursory effort to extract the baby from it first.

You cannot say that all prose of "Form X", as exemplified by davem,
Quote:
'A band of unlikely heroes must travel to the Elven realm of `KUAFGHILUN to gain the fabled sword 'sghorweyhg;n` in order to defeat the evil lord 'swiogh;N'
is therefore "junk". That's like saying that the great romances are junk because they follow the same basic formula as the Harlequin paperbacks.

I read once, it might have been in high school "creative writing" class back in the paleolithic age, that there are only two real plots for all stories, which can be boiled down to the phrases "A stranger came to town" or "She got on the train." In other words, stories revolve around people's reactions to either something unfamiliar entering their familiar world, or something familiar (perhaps even precious?) being taken away. What is normal has been disturbed, and the events of the story relate to the establishment of a new equlibrium, usually involving great upheavals not foreseeable in the original event.

It is not the plot formula that is selected but what is done with it that makes a book brilliant or trite -- from character development to creative plot elements to expert use of vocabulary.

Of course there's more junk than jewels -- it's easier to create junk, and if junk pays, then why exert the extra effort required to create jewels? Only the dedication of brilliant minds like Tolkien's could impel him to craft Middle Earth in such exacting detail, and it is that detail that makes Middle Earth seem so comfortably *real* despite its fantastic elements. Another author, though perhaps adhering too closely to the basic plot davem so succinctly decried, could create a believable universe with memorable characters and sufficient plot diversions and diversity such that the resulting book might rise above the mucken mire of trite fantasy. But such an author will have to *work* to ensure that quality -- it doesn't come by osmosis.

EDIT: Cross posted with davem and Bethberry -- some good points.
__________________
The object of life is not to be on the side of the majority, but to escape finding oneself in the ranks of the insane.
~~ Marcus Aurelius
Thenamir is offline   Reply With Quote