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We have talked in several threads about how modern fiction focuses on the interior of the character rather than the story itself. We are led inside the characters' heads to understand the individual's conflicting desires and psychological motives.
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I think that sometimes it is a bit of a myth that
all modern fiction focusses on the psychological motives of characters. What in reality tends to happen is that it focusses on the psychological motives of one or maybe two main characters, the protagonists. And in LotR it would be difficult to identify a definite protagonist. If we had to choose, then it might well be Frodo as the tale is at its heart the story of his journey to Mordor and his mission. When we do see interior insights then these do tend to be of Frodo. We see his dreams quite regularly, and what could be more personal than that?
LotR has a whole multitude of characters, so we do not need to see their interior thoughts as much as we would if it was a novel focussing on only a handful of characters; there is much opportunity to demonstrate motives and characteristics through dialogue and reactions of the many other characters. If it were just about Frodo, or even just about the Fellowship then we would need to have more interior thoughts written about as there would be less chance to have these represented by the multitudes of other people.
It is also a tale of action and movement, in contrast to what might be the polar opposite, Virginia Woolf, who writes of personal thoughts, feelings and reactions. LotR is in effect a
pro-active work, while Woolf's work is
reactive.
As for visible souls - I think every character in literature is in some way a 'visible soul'. We see more of literary characters than we could ever hope to see of our fellow human beings. But what intrigues me is the question of whether these souls are really aspects of the writer's soul becoming manifest on the page?