Aside from
Bêthberry's excellent contribution and
drigel's comment, this chapter discussion has lain dormant for the past week. I was hoping our resident poetry experts would jump at the chance to discuss Treebeard's poems, but apparently they're all still hibernating. Since I don't want the poems to go unmentioned, I will at least briefly touch upon them in hopes that my post might spark interest and encourage some last-minute posting before the next chapter thread goes up.
All of the poems are Entish ones, though they are given in 'Westron'. The first one is the 'old list', beginning "Learn now the lore of Living Creatures". It is alliterative verse and only a portion of the whole work is quoted. From the fragment we have, it is difficult to deduct if there is any particular logic to the order in which the animals are named. The Free Peoples seem to be listed in order of the age of each race, which would place Ents between Dwarves and Humans. Though hobbit poetry is normally written in rhyme, the line Pippin adds for Hobbits is in the mode of the rest of the poem.
There are two lines given in Elvish when Treebeard speaks of Lothlórien:
Quote:
Laurelindórinan lindelorendor malinornélion ornemalin,
Taurelilómëa-tumbalemorna Tumbaletaurëa Lómëanor.
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The first word I can recognize, the longer name for Lothlórien, but perhaps someone has a translation of the whole text. I cannot tell if it is meant to be part of a poem or just prose.
Next comes "In the willow-meads of Tasarinan"; I have heard this sung to the tune by Donald Swann, a very nice version in my opinion. I'm not sure I can identify the type of poetry - it does not rhyme, but it's not in the alliterative mode either. It is wonderfully descriptive and evocative, following the seasons in the various woods, most of which have disappeared under the water at this time.
"When Spring unfolds the beechen leaf" is written in a simple rhyme scheme, with some repetition of whole or partial phrases. It also follows the seasons from spring to winter, and the stanzas alternate speakers, with Ents and Entwives given their varying views of each. Only the last two lines are spoken by both. It is also very descriptive and shows by the viewpoints of the genders how different they are. So much could be said about it, but I lack the time to go into detail. The most interesting thing to me is the fact that the only season they find a common ground is the winter, or a joined future in the West.
Quickbeam is the speaker of the next poem, “O Orofarnë”. It mourns the passing of trees that were his friends and is written in rhyme. The contrast between the appearance of the trees while alive to the way they looked after being destroyed is made almost visible.
The last poem is a marching song, beginning with “We come, we come with roll of drum” and continuing with “To Isengard!” It is very strongly rhythmic and repetitive; I have heard the recording of Tolkien reading this and increasing the speed – very dramatic! The sound of the words is very important in this poem – especially the word “doom” emphasizes the spirit of the marching Ents. I find it almost impossible to read the poem without getting on my feet and moving!
I’d be more than delighted to hear your comments on the poems and their significance to you!