We seem to be explaining the ending of the movie by recourse to "the politics of Box-office movie-making" (I hope I have correctly quoted that from Son of Numemor. This argument assumes that Jackson understood the tragedy of the book but choose to follow the dictates of a different genre.
Is this the case? I don't know enough about what Jackson has said about his work, but does he in fact share a sense that the books are melancolic, even tragic? What is his interpretation of Tolkien and what is his interpretation of the movie genre he is working in? What kind of reasons went into omitting the scouring of the Shire? went into omitting the ends of Saruman and Grima? The elves, in my intrepretation of the book, have failed and their departure over the seas is full of hapless regret. Yet Jackson's scene has more a tone of a happy sea cruise.
I think Son of Numenor is on to something which deserves to be discussed more than simply as an effect of movie making or of some readers' ignorance of TheSilm. Did Jackson miss the big picture?
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I’ll sing his roots off. I’ll sing a wind up and blow leaf and branch away.
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