[Bêthberry]

Well, now that everyone has posted their thoughts about the psychology of Boromir, I can weigh in with my thoughts about the narrative requirements for the character. This is not to deny the very interesting comments which all have made here; I seem to be more interested less in the question of "what kind of person is Boromir" and more interested in the question, "if a writer throws various characters together on a quest, how are those characters determined by the needs of the quest and the story?"

In our discussions, we often seem to be moving between two poles, of realism and of fantasy. I would say that, for me, this chapter partakes more of sybolism than realism, although the later is not absent.

What do I mean by this? I mean that so much of what is given here seems more than just ... given. There are portents to most aspects of the chapter which are in keeping with the nature of Lorien as the land of fairey. davem, your references to the Mabingolion increase my interest. The more I think about the old Celtic tales the more I think we should have a thread devoted to the uses Tolkien might have made of them. There is something more here than the oft-stated desire to creat a mythology for England. What do you think, davem?

But to return to what I mean by the symbolic aspects of the chapter. It is, of course, the completion of this section which as Aiwendil has pointed out bears many structural affinities with the three chapter of respite in Book I. The Anduin is not just a river to traverse. It is not simply a conduit from Lothlorien to Minas Tirith but it is a threshold or liminal feature. It balances east and west. "On what side will you journey?" asks Celeborn of the Fellowship, the sides clearly representing on the west the side of light and on the east the side of dark. Boromir states that he will not take the darker shore and would prefer heading for MInas Tirith, but of course he will, ironically, take the darker shore. Here I think we have the subtle interplay of good and evil which suggests that Tolkien's world is not so easily demarcated between the two. For Frodo and Sam, this is a journey into the heart of darkness as much as Conrad's journey was.

Of course, the gifts which the elves offer the Fellowship have their symbolic portents also. But what I think is important is the way this chapter very subtly sets up the roles of Boromir and Aragorn, not only in terms of the realism of character psychology but also in terms of what this quest means. Boromir is still thinking in terms of Gondor.

"As for me," said Boromir," my way home lies onward and not back."

Boromir still, at this point (and I think we need to limit ourselves to just this chapter, reading chapter by chapter, and not look ahead to the next book), has his thoughts and sights focussed upon Gondor. (not a criticism) What can we say of Aragorn's thoughts and sights? Certainly we see a character who does not easily decide which path to take. Aragorn is not the Northern Hero with a ready answer and point of view. As such, he will, perhaps somewhat like Hamlet, take a long time coming to decide what his actions should be.

His own plan, while Gandalf remained with them, had been to go with Boromir, and with his sword to help to deliver Gondor. For he believed that the message of the dreams was a summons, and that the hour had come at last when the heir of Elendil should come forth and strive with Sauron for the mastery. But in Moria the burden of Gandalf had been laid on him; and he knew that he could not now forsake the Ring, if Frodo refused in the end to go with Boromir. And yet what help could he or any of the Company give to Frodo, save to walk blindly with him into the darkness?

The juxtaposing of this paragraph is fascinating, for it is followed immediately by that strange rumination of Boromir in which it appears that he hides his thoughts, although only Frodo seems to recognise that Boromir might not have follow completely in with Elrond's "correction."

The chapter concludes with that heartbreaking conversation between Legolas and Gimli which [b]Estelyn and Mithalwen[b] have already mentioned. What is this worst wound which Gimli has taken? It is not the warrior's wound which he had been preparing to take. Rather, it is the horrible wrenching which must come after he has found the greatest good for him. He must foresake the light and joy. Not for Gimli is the satan's test and challenge, for Gimli shall withstand it and not give in to his heart's desire. Beauty is as much a peril as evil. And the true hero is he who holds to the path and does not give in to his desires. It is not a question of being tricked by either Galadriel or the Ring: the responsibility lies within the person. (I would reference that old line from the TV show "Laugh-In" here: "The Devil made me do it.. At least I seem to remember that line being a joking refrain there.)

Then the chapter concludes with the sombre imagery of a night journey upon a silent and desolate river. In the heart of Fairey there is still a lesson to be learned.