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Old 10-30-2004, 03:10 AM   #196
Estelyn Telcontar
Princess of Skwerlz
 
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Join Date: Jan 2002
Location: where the Sea is eastwards (WtR: 6060 miles)
Posts: 7,500
Estelyn Telcontar has reached the Cracks of Doom and destroyed the Ring!Estelyn Telcontar has reached the Cracks of Doom and destroyed the Ring!Estelyn Telcontar has reached the Cracks of Doom and destroyed the Ring!Estelyn Telcontar has reached the Cracks of Doom and destroyed the Ring!Estelyn Telcontar has reached the Cracks of Doom and destroyed the Ring!Estelyn Telcontar has reached the Cracks of Doom and destroyed the Ring!Estelyn Telcontar has reached the Cracks of Doom and destroyed the Ring!Estelyn Telcontar has reached the Cracks of Doom and destroyed the Ring!Estelyn Telcontar has reached the Cracks of Doom and destroyed the Ring!Estelyn Telcontar has reached the Cracks of Doom and destroyed the Ring!
Aiwendil's mention of the music of P.D.Q.Bach (pseudonym of Peter Schickele), in contrast with the music of J.S.Bach, makes me want to clarify the difference between enjoyment and aesthetic beauty. I definitely enjoy the former's parodic music, but a good deal of the humour involved is based on the fact that it is not aesthetically pleasing, though it is composed with skill and for the purpose of producing the effect which it does, successfully so! Mostly, it plays with the standards of beauty of that musical age, interspersing jarring elements that emphasize the difference. I chuckle over those pieces, but I am not deeply moved by them in the way that I am moved when I hear and play J.S. Bach's music.

To bring that point back to Tolkien, the same thing applies to parodies of his work; I can enjoy them tremendously, when they are well-done, and there is certainly an element of skillful use of language in those that are well-written, but beautiful? I don't know...
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