Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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So, back to Faerie...
Our ancestors believed in Faerie, the Other World, Heaven, in short, in other dimensions of 'reality', beyond this one. Middle earth may be a secondary world, an imaginary dimension, yet it partakes of one of these 'dimensions' - Faerie. Now faerie was believed to be absolutley real, & still is by many people (just as Heaven is, though I'm not implying equality between the two). There are numerous works - Evans-Wentz's Fairy faith in Celtic Countries, Robert Kirk's Secret Commonwealth, etc.
Now, I know we've been here before, so I won't go over old ground, but merely make the point that simply because an 'imaginary' (fictional or one accessed through the imagination/second sight) has no basis in physical fact, that does not mean it does not 'exist', or have an internal 'reality'. The texts are our means of accessing that 'imaginative' dimension, & the 'fact' that we may each percieve that imaginative dimension slightly differently, does not in itself mean that we are not experiencing the same thing, anymore than the fact that I & someone who is colour blind don't see a red flower in exactly the same way means that we are looking at different flowers. We are see the same flower in different ways, & the flower has an objective existence.
Tolkien was writing about a 'place', a self consistent world, & it has an 'objective existence in the sense that even though each reader of the texts may not 'see' it in exactly the same way, they are all 'in' the same place, mentally, when they read it (ok, not 'all', in that some of them may find events which Tolkien presents as tragic as being hilariously funny, but I'm speaking about all those who respond 'normally' - as opposed to abnormally, not implying any 'moral' judgement - the death of a good person is tragic, etc)
What Tolkien does is to tap into archetypal situations & figures, & they have an 'objective' 'reality' in that they arise/exist in the collective rather than the personal unconcious. So, while Middle earth is 'fictional', & all we have 'physically' are the texts, the question arises as to the extent to which Tolkien is allowing us access to that 'objective' dimension (whether internal or external to the human mind). Middle earth or faerie is an objectively existing 'realm', internally consistent, & the inhabitants & places described by Tolkien are 'real' within that dimension. Tolkien gives individual forms & personalities to those things, but did they arise out of the 'archetypal' unconscious dimension, 'given' to him - as he seems to have believed, or did he consciously make use of archetypal/mythical images - which he didn't believe he was doing?
If the images & stories did arise out of the mythic imagination, & he didn't invent them consciously, then they have their origin in the objective psyche, & so have an objective origin & existence, & that is perhaps the reason why they strike us as 'real', & why Middle earth may be the particular experience of Tolkien, (but it is an experience of an 'objective reality') which he passes on to us, but the 'real' Middle earth is just that - 'real'. So Canonicity would require faithfulness not just to the texts, but to what the texts arose out of & have their existence in.
So the question is about the extent to which Tolkien communicates his experience of that objective reality, & how close what he sets out for us in his writings is to that 'reality'.
Or in other words, how much are Tolkien's writings about Faerie in line with 'canon'? Is he simply making use of old ideas & beliefs, or is he attempting to recreate them, give them a new face, make them accessible, & this is all tied up with what he wanted to achieve. Why did he feel it was important to give England back its lost mythology - merely because he didn't like the idea that 'Johny Foreigner had something that dear old Blighty didn't have, or because he felt that a national mythology gave a people access to something ineffable, but at the same time something life giving. Form the TCBS' comments it would seem to be the latter.
Whether he succeeded or failed is down to the individual reader to answer, but his (original, at least) intent was to put us in touch with something that did have an objective 'reality'. The texts 'refer' us to that reality, or at least are attempts on Tolkien's part to open us up to the possibility of connecting with it.
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