Illustrious Ulair
Join Date: Aug 2002
Location: In the home of lost causes, and forsaken beliefs, and unpopular names,and impossible loyalties
Posts: 4,240
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Of course Pullman 'enchants' - the whole of the story is enchanting, magical, open to possibilies uncounted. Right till the end, & then Pullman snatches it all away, closes the doors to the other worlds forever, & even seperates the two lovers forever. Its an incredibly cruel ending - not just for Lyra & Will but for us all, especially for child readers, because it denies the possibility of Magic breaking in ever again - unless something goes 'wrong'. If things go 'right', all the worlds will remain seperate forever. The Magic & wonder you feel when reading the book is taken from you at the end. Because for Pullman that 'magic' & enchantment are 'childish', & things which must be grown out of. They are 'childish things' which must be put aside.
My discomfort with Pullman is not what he gives us throughout the story, but with the fact that having given it to us, let it become meaningful & uplifting, he then snatches it away, & when we grieve for it, he tells us, 'Well, sorry, but that's only for children, & you have to grow up now & leave it all behind'. What message do the two writers offer us - Tolkien tells us that the magic, the possibility of enchantment, is always there - 'Still round the corner there may wait, a new road or a secret gate', & that like Smith, we too may find our way into Faerie. Pullman tells us not to be so silly & grow up.
Essentially, Pullman is like Nokes - the Fairy Queen is pretty, & all very nice for children, but no sensible grown-up will believe in her, or take the idea of Faerie seriously - and any children who insist on holding on to that belief must be shown how dangerously unrealistic it is, & be persuaded to give it all up, & come & live in the real world with the grown-ups who know better.
I heard Pullman on a radio interview back when The Amber Spyglass came out. He said that he was using fantasy to undermine fantasy, & wished he could write 'serious' fiction.
I don't doubt that: ''this young Christian woman feels that a reading of HDM "allowed her to grow as a person and closer to God." but is that what Pullman wants? - the growing closer to God part, I mean? Nothing in the book makes me feel that. The message running throughout the story seems to be that authority is simply wrong- especially supernatural authority, & must be broken free of. He seems to be the same as the scientists who separate the children from their daemons. He wants ultimatley to remove the possibility of real magic from his child readers, where Tolkien wants to give it to them & to all of us.
Pullman seems to see all magic, enchantment, & faith as dangerous & corrupting, as something we must be 'saved' from. We must be awakened from the mad 'dreme' & grow up into sensible adults. The young woman Child mentions, is, it seems to me, a classic example od what this thread is about - she's finding something in Pullman's work that he didn't put there, something in fact which is the opposite of his intention.
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