Bęthberry
Quote:
It seems to me to be a little too close to the old idea that visual representations are inferior and even suspect.
|
I wouldn't say that visual representations are necessarily inferior to works of literature. They each have a different effect. Visual images stimulate the senses more than they do the imagination, while written works stimulate the imagination more than they do the senses.
Quote:
I wonder what a visual artist would say to this idea that art restricts imagination.
|
But surely it's axiomatic that it does. A piece of writing and a visual rendering of that piece of writing will both stimulate the imagination of the reader/observer, but only the reader of the written piece will be using their imagination to create the visual image itself.
Quote:
Maybe we should see the movies as the latest in a long line of attempts at visual recreations of the printed page.
|
Yes, I think that is a fair way of looking at them although, as moving images, they of course differ from illustrations in that they visually recreate the action as well as the characters and places.
Child
Quote:
If I could experience the films purely as a visual event, there are very few thing with which I would feel uncomfortable. Peter Jackson did an amazing job recreating the visual fabric of Middle-earth.
|
I thoroughly agree. But even so, I think that there is something missing in the visual experience that is present in the reading experience. And, although it's part of it, I don't think that this is just down to the plot and character changes. I think that even if we lived in an ideal world where the films portrayed the characters, conversations and events exactly as they are in the book, something would still be missing. And that "something", I think, is the sense of enchantment that we get from creating the images ourselves while we read. Perhaps this is why (in my experience at least), this "enchantment" is at its most intense when we read the book for the first time.
Quote:
Are you sure about that SPM? I am not. This may be a classic example of Tolkien saying one thing and, shortly thereafter, saying or doing another.
|
I don't think that Tolkien was saying that illustrations have no value in themselves. The point he was making, I think, is that, in the case of a "fairy-story", they will have less of an effect in stimulating the imagination than the text itself and that, for that reason, they are unlikely to enhance it. Funnily enough, I came across that extract from "On Faerie Stories" in a note to one of Tolkien's Letters to Pauline Baynes concerning the illustrations that she was doing for "The Adventures of Tom Bombadil". I think that he referred to it to it when agreeing to a point that she had made (although I can't recall the exact point and haven't got the Letters to hand).
I agree that Tolkien highly rated Pauline Baynes' ability to capture the essence of his works. However, I get the sense from his Letters that, where illustrations were included in his published works, this was at the insistence (or at least recommendation) of his publishers. I suspect that, left to his own devices, he would have done away with illustrations altogether (in his Middle-earth tales at least), and that he was only prepared to compromise because the illustrations used (his own and those of Pauline Baynes) were in line with his own vision.
Quote:
So I think you can have a successful visual expression of Middle-earth.
|
I agree. In my view, the films are an example of just that, and I would include many among the multitude of artists inspired by Tolkien's works. But I would say that they are successful only as far as they can go. They will never capture entirely the enchantment that the reading experience brings us. So I stand by my statement:
Quote:
... the visualisation of the books can never hold the same enchantment for us as the books themselves.
|