Does anyone really like #16, Forth Eorlingas? I loved it! It was nothing short of phenomenal, wonderful, majestic, collasal, victorius, triumphant, glorious...and if you didn't get the picture: I loved it! The Passage of the Marshes was really great too. It seemed like the notes and rythms were actually glooping and bubbling out of the gloom. And all the distorted singing sounded like creepy dead whispers. It was great. Go Howard Shore. Did anyone jump for joy when he blew John Williams out of the water in the Oscars? *raises hand and grins*
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